The Internet Archive is now leveraging a little known, and perhaps never used, provision of US copyright law, Section 108h, which allows libraries to scan and make available materials published 1923 to 1941 if they are not being actively sold. Elizabeth Townsend Gard, a copyright scholar at Tulane University calls this “Library Public Domain.” She and her students helped bring the first scanned books of this era available online in a collection named for the author of the bill making this necessary: The Sonny Bono Memorial Collection. Thousands more books will be added in the near future as we automate. We hope this will encourage libraries that have been reticent to scan beyond 1923 to start mass scanning their books and other works, at least up to 1942.
Millions of Italians can now say they own a one-of-a-kind Nutella jar. In February, 7 million jars appeared on shelves in Italy, all of them boasting a unique label design. And here’s a weird twist: Every single one of those millions of labels was designed by…an algorithm?
We now know, for example, that buildings and cities can affect our mood and well-being, and that specialised cells in the hippocampal region of our brains are attuned to the geometry and arrangement of the spaces we inhabit.
Yet urban architects have often paid scant attention to the potential cognitive effects of their creations on a city’s inhabitants. The imperative to design something unique and individual tends to override considerations of how it might shape the behaviours of those who will live with it. That could be about to change.
One of the most fundamental questions in astronomy is that of just how many galaxies the universe contains. The landmark Hubble Deep Field, taken in the mid-1990s, gave the first real insight into the universe’s galaxy population. Subsequent sensitive observations such as Hubble’s Ultra Deep Field revealed a myriad of faint galaxies. This led to an estimate that the observable universe contained about 200 billion galaxies.
The new research shows that this estimate is at least 10 times too low.
The GIF as an art form—a short and silent loop—has never been more popular than it is right now. Yet the GIF as a filetype, the way we store the library of ones and zeros that computers translate into animation, is quietly embattled. Behind the scenes, a war to exterminate it has been raging for years, and it never really ended. All these years after Burn All GIFs Day, the GIF remains both deeply flawed and yet strangely irreplaceable. Whether this latest frenzy of GIF popularity enshrines it forever or kills it for good, you can be damn sure we’ll never see anything quite like it again.