Kaomoji are, of course, Japanese-style emoticons, first imported to U.S. internet shores by anime forum posters. Why use kaomoji? They’re more elaborate and more expressive — and also more practical: You don’t need to tilt your head to the side to read them.
The Jeep was made for war. In 1940, the impending U.S. involvement in World War II pushed the army to call for a new vehicle suited for battle. And so the Jeep, a works-in-progress vehicle, constantly evolving on its open patent, tailoring to changing demands of conflict, was born—and then shipped off to war.
More blurry is its etymology. Jeep legend is seeped in heavily contested mythologies, but one roots the name in a slurring of GP, or General Purpose, which may have been the original name of the military-design vehicle.
In the capital, young people are turning to informal learning spaces such as Dev F, with its philosophy of “rather than develop technology, we develop people”, to join hackathons, meetups and code-clubs as part of their social infrastructure. Here, coding is a way to meet people – and code is their social media.
Ms. Menard’s suburban Los Angeles street of ranch houses, Cody Road, has turned into a thoroughfare with enough gridlock to make Times Square at rush hour feel tranquil. On early mornings when headlights are still needed, it resembles one long funeral procession.
The culprit: Waze, the popular app owned by Alphabet Inc.’s Google that provides alternate routes to busy boulevards and packed freeways. Launched in 2007, Waze has 50 million users world-wide and about two million in Los Angeles, its biggest U.S. market.
In light of our proven inability to enforce a zero-tolerance approach to sport, we should instead take a pragmatic approach. As a very brief and incomplete overview, I argue that we should allow doping within safe, measurable physiological parameters.
Smuggled hard drives. Satellite dishes hidden in fake rooftop water tanks. Market-driven distribution methods. A 26-year-old kingpin. It’s only a matter of time before this is the subject of a TV series – and distributed in the same way of course to complete the circle.
The Paquete is an alternative to the web in a country where, according to some estimates, fewer than 5% of homes are connected.
It consists of a terabyte of data bringing together the latest music, Hollywood movies, TV series, mobile phone apps, magazines and even a classifieds section similar to Gumtree or Craigslist.
Every week, unidentified curators compile a selection of content and deliver it via a complex network of hundreds of distributors who, much like old-fashioned newspaper delivery boys, bring the Paquete to the door of its subscribers.
It’s all carried out outside any legal framework in Cuba – and with seemingly little regard for international copyright law.